Installation views of “Aural Landscape in Three Parts” during ”23rd National Drawing & Print Exhibition” at Gormley Gallery, Notre Dame of Maryland University, Baltimore. This show was curated by Sue Spaid , Director of the Museum of Contemporary Art, Baltimore, and organized by Geoff Delanoy, Director, Gormley Gallery.
Dogcatmusicandart
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Recent movement study piece based on memory of riding or watching a bike being ridden. ink and oil on panel mounted on velcro over plywood. 10” x 9”.
My audiotape drawing “Aural Landscape in Three Parts”, 2001, will be on display in the 23rd National Drawing & Print Exhibit to be held at Gormely Gallery, Notre Dame of Maryland University, Baltimore. The exhibit will run from 2 April through 27 April 2012
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Instrumental melody to a song named “Breathing eyelid” . This is a song I wrote in 1998 and this particular recording I did in about 2003 through my Ampeg B-15 portaflex. The song is about recycling— all types of recycling: air, lovers, words, papers, etc. I hope to add the original lyrics to this track soon.
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Recorded in spring of 2010 on my Marantz 4 track cassette machine, this is a rough mix down of three guitar tracks and a synth organ.
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A simple progression from a month ago or so. Recorded on electric guitar through my Gibson minuteman amp with tremolo and reverb and into garage band via an open air microphone about 4 inches from the amp’s speaker.
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With the stage name of Fulmar N, this is a recording of “I Cared For You” from sometime in late 2001 or early 2002 at Coyote Studios in Williamsburg. It is myself on guitar and vocals with Jeremy Sigler on drums. Jeremy and I rehearsed once a week as a duo for a number of months with Steve Ulrich of the band Big Lazy as our band coach/advisor. On this take I am on Jeremy’s ES-125 gibson guitar while he is on the studio drum kit.
A solo, keyboard version of this song is also exampled on this site.
These views shows a more or less current state of my studio house project
These are some example of figurative work I have done. I started working more with the figure after leaving the Graduate Architecture program at Syracuse Univ. After six years of full time architectural training I felt I really wanted to pursue a more immediate activity in response to understanding and meditating on three dimensional space. I then became a non matriculated monitor/assistant at the Pennsylvania Academy of the Fine Arts where I concentrated on drawing the figure within an architectural space. The paintings shown here are done within more of a mental mythic, dream or desire attitude towards space and the figure.
